Wednesday, June 6, 2012

Chapter 19


Dail was in a cinema. By himself. Whilst this was rare, he had taken a leaf out of his sisters New Year Resolution manuscript and thought he'd give it a go. It was unusually refreshing; not worrying about which side of you your friends are on and not having to share your popcorn. For his viewing delectation today was an overpriced action-cum-drama piece. The kind that gets released at least bi-annually to appease those who need to see things blown up on a bigger screen than the one attached to their Xbox at home, but want a break from the deep seated guilt of knowing you've just killed your three thousandth faceless mutant enemy.
One thing about films had been striking Dail more and more in recent times; besides the decreasing existence of original ideas and the inverse correlation this had on the price of viewing. And the increasing propensity of rom-coms to alter peoples perspective of what a relationship actually was. Anyway, to return to the original striking, Dail had been realising that it was incredibly lucky that the film crew had decided to turn up for that particular time in the lives of whoever was involved. Rarely, if ever, was there a film in which the protagonist went about his daily business due to some logistical error that saw the viewer turn up too early. No storyline, no expensive climax on an oil rig, no sudden turning of plot in which everything seems to be going against the protagonist, things seem hopeless; but what's this?! Everything has turned out fine via the steely resolve of the lead character and the return of their sidekicks (who previously turned against them because of some altercation). And the bad guy is dead! Well that's spiffing isn't it. And not just films! Everything! Books too. There weren't any fictional books (to Dail's knowledge, at least; (auto)biographies didn't count) that were just about the downtime in a person's life. Just a small segment of nothing happening. Understandable enough, though. Probably wouldn't shift too many tickets or hardback copies to just read about someone sitting at home, eating biscuits, pottering about, seeing their friends and going to the toilet (not at the same time. Well, he conceded, it would depend very much on the nature of the friendships involved).
By now the film had finished and, with a tenacious unavoidability, the obligatory small segment of film that squats at the end of the credits, hinting at the inevitable franchise forming sequel, was  looming. The tiny subplot that was to be continued into the next four instalments was to be hinted at by the one henchman who had somehow survived. Such a shame that killing the big boss at the end wasn't the end of it. Oh well, more money for all the film people. Fake explosions and blank bullets didn't come cheap, damnit.
Dail eventually excavated himself from beneath the mounds of popcorn that had successfully re-enacted The Great Escape and, to pass the rest of the afternoon, walked home (this was not as impressive as it sounds - the cinema was only 10 minutes away and was more financially motivated than any half baked attempt at being a flâneur). Then, he once again set about thinking about The Book. A book with absolutely no plot whatsoever actually quite appealed to Dail's backward sensibilities; the idea that any snippet of any person's life could be transcribed into print without them being any the wiser. The birth of the fly-on-the-wall novel was beginning to take shape. Any idea of choosing a real person went out the window like am archaic rock star's hotel TV set. Stalking was not entirely to Dail's forte; nor were restraining orders or court cases particularly to his taste. No, he decided. If this were to take flight, it would have to be a fictitious character. Maybe not overly fictitious, though. If left to its own devices, Dail's mind would run amok and make the resultant text nigh unreadable. His attempt at writing a blog was proof enough of that. It would need something to help keep it grounded,  but the only life he was overtly knowledgeable of was his own and he had previously decided that nobody would care much to read about it in print. Perhaps a warped, slightly surreal adaptation. Wait, no. Making a warped, surreal version of something real to make sure it doesn't flit away into the ether of sense and sensibility is stupid. Not even the most crooked of bank managers would approve a loan for that plan. So a fictitious character loosely based on himself. How hard can that be? Just do something interesting.
The kind of stage fright/writers block hybrid that is usually the result of someone having said "Say something funny"  suddenly washed over Dail like a wall of warm air in a shop entrance in December. The only way to get out of it is to move away and do something different. To this end, a large amaretto was poured out and some reusable ice cubes utilised (to hell with watering down your own drink). A nice drink and putting your feet up was what would make Dail happy now.
The only thing worthy of Dail's precious pieds within easy reach was a hardback chair. And, naturally, the logical place to put your feet was atop the back piece, the result of which contorted him into a bizarre and slightly tipsy Tetris piece, as his back slid further and further down the armchair onto the seat pad and his feet slid further and further into the air and therefore more perpendicular to the floor. 
"Bugger. Not entirely sure how to get out of this one." It was at times like this that Dail wished that he had a roommate. Not to help him out of his current predicament, but to hold up a score card rating the elaborate series of twists, falls, rolls and flails that saw him end up off the chair and with his foot wedged under a bookshelf. He was fairly certain a good, solid seven was on the cards at least. The Olympics, however, were looking to be a far distant ambition at present.

That evening, a lot more amaretto was drunk and some writing actually got done. But, on reflection the next morning, it wasn't the kind of thing that could get published. Chiefly because what did get written was a page full of the entry code for Dail's phone, the words "penguin + talcum powder"  in large red letters in his diary one month in the future and a shopping list consisting of, rather cryptically, "penguin + talcum powder."

No explanation of the plan for these items was ever unearthed.

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